Fourteen Hours (1951) Suicidal Drama From The Edge Of A Ledge

Fourteen Hours (1951) poster paul douglas richard basehart henry hathaway

I always seem to be drawn to films that focus on mental health issues, especially older films that tackle more challenging subjects that were probably taboo at the time. Sometimes they can be of a exploitation nature but most of the films I’ve enjoyed have addressed the difficult matter at hand with great thought and sensitivity. Fourteen Hours is another fine example of mixing deep thoughtful drama with real life, complex problems that many people could face at sometime in their own life. The wonderful thing that impresses me, well most of the time, is the ability to deal with the subject matter in a way to let the viewer understand, feel sympathy for, and maybe even learn from. Fourteen Hours is about suicide. But before you turn away, this is an exceptional drama which is thought-provoking and features really outstanding performances from it’s two leads.

Fourteen Hours (1951) richard basehart troubled man on a ledge

A suicidal man, Robert Cosick (Richard Basehart), desperately unhappy with his life decides to climb out on to the 15th floor ledge of a Manhattan hotel. A broken man, confused and helpless, he doesn’t know what to do next. Standing on a ledge no bigger than his shoe size, his back lent against the wall, swaying, with his hands by his side, Robert contemplates his life.

Tagline – From the edge of the ledge he defied them all!

Fourteen Hours (1951) 15th floors drop manhattan hotel road block

The dizzying heights induce bouts of vertigo for the viewer as you watch from the comfort of your home. You gasp like the lady who sees him perched in this impossibly dangerous position. The screams alert passers by on the busy Broadway street in Manhattan, New York. A traffic cop, Police Officer Charlie Dunnigan (Paul Douglas) is first on the scene. The emergency services are called and soon the street is cordoned off, gridlock, cars and taxis jammed in, all whilst a flow of spectators gather to watch the drama unfold.

Fourteen Hours (1951) paul douglas traffic street cop

Managing to make first contact with the man on the ledge Police Officer Charlie Dunnigan leans out to talk to the distressed young man. Charlie isn’t skilled in negotiations but he has a kind, soft manner. As he tries to find out a name and what is troubling the young man, Robert warms to Charlies warm nature.

Fourteen Hours (1951) paul douglas suicide help chatting

Can Charlie make a connection and urge Robert to return to hotel room. Can he decipher what the underlying problem maybe? With Deputy Police Chief Moskar (Howard Da Silva) barking orders and organising the police force for a quick resolution. It’s lucky Charlie has the help of psychiatrist Dr. Strauss (Martin Gabel) who coaches Charlie through some tactics. With the acting edition of Agnes Moorehead, Robert Keith and a young Miss Ellie Ewing, Barbara Bel Geddes adding to the mix of helper!. Can any of these people somehow get this young man to come off his ledge? And as a media circus and spectators start to build a crowd on the road below, will he jump and end his life?

Tagline – A new element in screen suspense

A few Wolfie observations.

  • Director Henry Hathaway went western crazy during his filmmaking years. True Grit, How The West Was Won, Rawhide, The Sons Of Katie Elder to name a few. Be sure to recommend me any of his dramas, film noir etc if you know.
  • Based on true events of a 26 year old man called John William Warde who spent 11 hours on a ledge 17th floors high before!!!! And also during post production a daughter of a high profile movie executive Spyros Skouras had leaped from a building. Which ultimately put pressure on the films release.

Fourteen Hours (1951) Jeffrey Hunter and the insanely gorgeous Debra Paget

  • There’s three incidental intertwined stories that play out during the crisis. One featuring a debut film performance by Grace Kelly. Another story has a chance meeting love story between Jeffrey Hunter and the insanely gorgeous Debra Paget. And in the last little story, a bunch of taxi drivers stuck in the gridlock take bets on the drama. Look out for Ossie Davis amongst the cabbies.
  • Look out for the service waiter played Frank Faylen. He’s a guy that just keeps popping up in films I been loving, The Sniper, 99 River Street and Riot In Cell Block 11 to name a few.

Fourteen Hours (1951) Jeffery Hunter star trek mr spock captain christopher pike pilot

  • Jeffrey Hunter played the first captain of the USS Enterprise on Star Trek in the original pilot episode. He wasn’t the captain we would come to know but played Captain Christopher Pike. Unfortunately he turned down continuing with the series and the pilot was never properly released until 1988. The rest they say is history, step forward William Shatner.
  • Apparently the film Man on a Ledge, starring Sam Worthington and Elizabeth Banks is inspired by it but reading the summary it’s taken all the personal drama out of it and made it about a diamonds heist! I have a feeling I’ve seen it but can remember anything about it.

This is edge of your seat stuff, with amazing leg wobbling visuals and scary looking stunts. Richard Basehart is believable as the troubled young man but it’s Paul Douglas’s performance that’s steals the show. He comes across like the perfect guy you would like to meet to keep you calm but also street enough to take no shit. Definitely worth adding to your movie watching list if you haven’t seen it but if you have, let me know, be good to hear what you thought.

Thanks for dropping in on my movie blog. Take care and hope to see you soon… Mikey Wolf


21 thoughts on “Fourteen Hours (1951) Suicidal Drama From The Edge Of A Ledge

  1. Great post 🙂 I saw this, but it was a long time ago. Nevertheless, I found it interesting due to it tackling the subject of a man with suicidal tendencies, which must have seemed like challenging stuff for 1951 mainstream audiences. Anyway, keep up the great work as always 🙂

    Liked by 1 person

  2. This sounds good. I didn’t realise Grace Kelly was in it, or Jeffrey Hunter.

    For Henry Hathaway, I quite like 23 Paces to Baker Street, a Hitchcockian thriller in foggy London town. The Desert Fox and some of his ’40s thrillers are interesting too (Call Northside 777, The House on 92nd Street).

    I KNOW I’ve seen Man on a Ledge and I don’t remember a thing about it either!

    Liked by 1 person

    • If i’m honest I didn’t recognise either of those two as I watched it but when I looked at IMDB after it finished and I went “Oh well I never” 🙂
      Nice one for the recommends Jay. All noted for a watch one day hopefully soon. I have seen The House on 92nd Street, loved that. I’ve been trying to do a post on it but something always slips in before it.
      Haha glad we are the same on Man on a Ledge, must of been a bit of a turkey.

      Liked by 1 person

  3. Excellent review! I really want to see this now and will definitely have to track it down, it sounds incredibly well done! 🙂

    Liked by 1 person

  4. I don’t know how you do it, Mikey but you always come up with really solid, obscure films, most of them, I’ve never heard of…You should be a programmer on Turner Classic Movies, or the British equivalent, of course. There are so many good films that have come and gone and are deserving of an audience. This sounds like one of them. Solid review.
    Oh, by the way, I watched Le Samourai. I found it on YouTube. I loved it. It’s one of those that really sticks with you. Very stark and moody.It’s elegantly relentless, condescending even, but it’s a qualified snob of a movie. It refuses to give us what we yearn for–and still we love it. Brilliant.

    Liked by 1 person

    • Haha Le Samourai “it’s a qualified snob of a movie” haha I do so know exactly what you mean. The French can do those movies so eloquently and we love them for it. TBH he’s a bit of an arse, definitely a sociopath but you gotta admire his cold as steel coolness. So great to hear you saw it. It’s uber slowness, beautiful staged shots and of course Delon’s moody good looks all add to a wonderful movie.

      It fascinates me how many films are out there! It’s kind of endless but there has to be a point where the quality starts to dip? But digging in the movie vaults just keeps revealing, new to me, little gems. Not only is it a buzz watching these fantastic stories but I also love looking who directed/acted/wrote it and digging into their connected films. Has to be enough top-notch films for a lifetime of viewing, never gonna get to the end but I’m gonna try lol.

      You are too kind Pamela. Thank you.

      Liked by 1 person

      • You are welcome. I read your about page and you slow walk your writing skills to the Nth degree. You are a very good writer, Mikey. I’m a pretty good judge of writing skills…Ha! You see, I’m not the slow walker that you are. I run with it! Ha!
        You mentioned uber slowness…I love that pace in movies. If you haven’t seen In the Bedroom, put it on your list. It’s one of those and I love it. Also Terrence Malick films have that element.

        Liked by 1 person

        • Thanks Pam. I couldn’t do the writing stuff without the god send of spell check!. Dropped out of school with a case of dyslexia. But have always wanted to do some form of writing. I’ve definitely got better from when I started this blog. The word count has certainly gone up and I try and think about what I’m actually saying LOL. Really enjoy it and you may of read it got me out of a funk! ………….. I don’t know “In The Bedroom” it sounds very interesting, great cast. I tried not to read too much but I’m gathering there’s gonna be some twist and turns in the story. I’ve managed to find a copy for a future watch. So thank you for the heads up. I will report back when I see it.

          Liked by 1 person

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