With no messing about, this film jumps straight into a POV murder. First a stab with a dagger then a double tap with a gas lamp. The victim isn’t just gonna die, he’s gonna burn too! In the first of a series of shocking and macabre death scenes Hangover Square really grabs your attention. I love it when a movie gamble pays off. Went into this film really for it’s short runtime. Not the ideal way to pick a film, I know. Had way too many late nights and the thought that if I ain’t digging it I’ll turn it off and get myself an early night. Haha no chance. I was hooked and instantly invested in the plight of George Harvey Bone (Laird Cregar), right from that first hard hitting opening scene. Continue reading “Hangover Square (1945) Murdering Maundering Madman Is Musical Genius”
If your looking for a nifty noir with razor sharp dialogue and a killer roller coaster ride through the streets of San Francisco then Woman On The Run is just the ticket.
Taglines – As Startling as Your OWN Scream in the Night!
Continue reading “Woman on the Run (1950) Banter, Roller Coasters, A Feisty Lady And A Packet Of Smokes”
There I was sitting giggling to myself, waiting for this hilarious, frightened, petrified woodland to appear only to find out it was just a few rocks in the godforsaken desert. Of course I’m only having a laugh. I found The Petrified Forest a very intriguing title. I knew Humphrey Bogart had a standout role within the film but I wasn’t here this time for him. This viewing was for a certain actress called Bette Davis, which, sit down before I say this, I’d not seen any of her films! Please forgive me, I take myself off on a long walk as penance!
Continue reading “The Petrified Forest (1936) A Waitress, a Hobo and a Bank Robber Walk Into a Bar”
Humphrey Bogart is back again hitting my screen in the wolf lair as the quest to work through his films carries on. This time HB was in supporting role mode in this 1940’s movie called They Drive By Night . Top billing duties went to George Raft who, lets be honest, sounds more like Humphrey than Bogie himself in this. These two native New Yorkers make very believable brothers. Let’s meet the Fabrini Brothers. Continue reading “They Drive by Night (1940) The Magnificent Fabrini Brothers”
Before doing this blog I was blissfully unaware of Humphrey Bogart being bad! I’d only seen a handful of his movies and what with his legendary status following you around since whenever I can remember. Call me naive, I’d always thought he played good guys. Well rogues or strong willed tough guys with a heart of gold or a cast iron moral code. Well I couldn’t have been more wrong! He was somewhat naughty in The Desperate Hours but I have to say I didn’t expect him to beat his despicable me part in The Treasure of the Sierra Madre. So you see I wasn’t ready for Dixon Steele to turn up in In a Lonely Place and not reading anything about it when going in I’d expected him to be another Samuel Spade style PI. Continue reading “In a Lonely Place (1950) Angry Bogie’s Fury And An Alternative Ending”
Voice of Chicago – “The city at night. A million homes, three and a half million people, all different from one another. People lovin’, people hatin’, people stealin’, people prayin’..”
Opening with the voice of Chicago looking down on its citizens, you can kinda guess we’re not in traditional film noir setting. Well actually the underlying story couldn’t be anymore noir but this strange little film has managed to squeeze in a few cheeky little surprises. So what’s going on Wolfie? Continue reading “City That Never Sleeps (1953) Robot Man, Strippers, Magician And A City God!”
With enough N-Bombs to make Quentin Tarantino blush, No Way Out is one helluva tough watch that’s for sure. However it processes an important social message about racial prejudices and bigoted hatred. This is the story of a young black man and his encounter with narrow-minded, blind, racial intolerance. Continue reading “No Way Out (1950) Sidney Poitier In Spinal Tap Of Prejudice”
Looking back through my recent film posts it reveals that the 50’s has been making a mark on this here cine-wolf. Each movie find that I watch has brought its own new unique style. Like with many films from the 40’s and 50’s they just get the pacing spot on. A dash of surprising action, a shocking bit of violence and the right amount of dialogue. Expertly giving a good balance to realistic situations and character development. Whilst still always pushing and probing the boundaries, daring to see what they can get past the censors. And with doing so, they manage to draw you right into their created worlds. Yesterdays viewing schedule presented me with Humphrey Bogart’s penultimate film, The Desperate Hours. Continue reading “The Desperate Hours (1955) Home Invasion With Humphrey Bogart”
And there I was sitting in a world where Stacy Keach was the only Mike Hammer from the hands of crime novelist Mickey Spillane. Stacy’s Mike smashed his way though our 80’s television screens like a, well, Hammer. Stacy Keach was perfect for the part as the tough, gruff and brutally efficient, hard-boiled private investigator. I just didn’t know there was a whole gang of different Mike Hammer’s bringing justice throughout the ages. Kolchak The Night Stalker very own Darren McGavin played him in a 50’s series and in a universe defying paradox, creator Mickey Spillane actually plays his own “baby” in the 1963 film The Girl Hunters. (I need to see this) Continue reading “Kiss Me Deadly (1955) Panting Barefoot Panic Starts The Hammer”
How come the criminals, all the gangsters, fences, wiseguys all seem to be making bucks? Seeing all the crooks you put away getting released early and still making big money. Racketeers that manage to slip through your fingers living the life of luxury from the proceeds of organized crime. It starts to get to Lieutenant Barney Nolan (Edmond O’Brien). 16 years on the force laying down the law on the streets, for what? a paltry pension and no savings!. He deserves more. He’s put his life on the line every single day seeking justice for these damn criminals, how is it fair? He dreams of a big house in the suburbs, all the mod cons, the whole shebang, with his beautiful, happy smiling girl, Patty Winters (Marla English) by his side. It would be a wonderful life, he’d have to use his badge to get it though but how far would he go?
Tagline – A wild trigger finger… a lust for big money… and a weak spot for fast blondes hurled him from the straight-and-narrow to a crooked one-way road!
Continue reading “Shield for Murder (1954) A Cops Descent Into Oblivion”