Cohen and Tate (1988) The Hit-Man, The Psycho And The Kid Go For A Drive

OK! I know I’ve been missing in action for what seems like eon’s to me. I’ve been desperately struggling to clamber my way back to do this amazing hobby I so love. Promised myself I wouldn’t keep apologising and say sorry for being away all the time, so, sorry. Doh! “Dabnamit Wolfboy! hold it together man!“. I’m just dipping my filthy big clawed foot back into the paddling pool to see if I can find a way to scribble smaller, maybe quicker reviews. Before, I tentatively look back at the drafts and try tackle the backlog of half written film articles I’d started months back.

So here we go. Following on from my last post, Blue Thunder, starring Roy Scheider you might be thinking that ole wolfy just been lazy and looked down Roy’s filmography and went, lets watch that one. In fact, I’ll have you know, I searched up great thrillers you’ve probably not heard of or something along those lines. And halfway down the list, there it was, Cohen and Tate. The article got two things right, I’d never heard of it and secondly, it was a pretty decent thriller. Me, being me, didn’t read the basic premise and jumped straight in. Those two good guys on the poster where gonna save the day in a thrilling but ultimately sweet buddy road movie kinda way, right? DOH! once again…

How wrong was I? These two are murderously despicable. Two hit-men employed by some unseen, unnamed Mafia honcho for a touch of clean up work. Waste some witnesses with a shotgun full of slugs and a massacre of bloody rain followed by a spot of kidnapping.

Roy Scheider plays Cohen, a trench coat wearing older guy, lets say seasoned. He’s a wiry assassin for hire. His sidekick, Tate, is played by Adam Baldwin. A wild, deranged and unpredictable, Terminator-esque leather bond psychopath. There’s no love lost between these two. Cohen’s been lumbered with Tate and he’s not to best pleased. Maybe it’s the professional in him or the fact if the job goes sideways his life is on the line. The job was simple. Get to the safe house, grab the kid, Travis Knight (Harley Cross), and drive across the country to the drop off point. There the kid would be interrogated and they’d get paid.

Cohen summons all his strength to tolerate the angry, messed up Tate. They don’t get along at all. His straight down the line sense of professionalism has his nerves tested with this unhinged, maniac he’d annoyingly been saddled with. Keep calm, keep your head down and get the job done Cohen, must of been flicking through his mind..

Tate –How about this? We pull to the side of the road, and I’ll do it with my bare hands. Let’s give his head a little twist, just a little pop to hear how it sounds. We dump the body and we blow out of here, hey!
Cohen –I’m not gonna warn you again. Let’s all just try to make it back to Houston in one piece. Because the way things are going, one of us won’t.

The poor kid, Travis, is obviously broken and distraught. He’s beside himself with fear. Gun shots and death had filled his ears and before he knew it, he was all alone Thrown in the back of car. Any noise he made the demented Tate shoved a shotgun barrel in his face and spat and screamed at him. He cried, he sobbed, then somehow comes to terms with his situation. For a young kid he sure has some balls on him. Slowly he ties to escape in anyway he can. He starts to feel out his abductors, little digs here and there, just enough to keep them on their toes. It’s a long journey, it wasn’t going to end well? What did he have to lose?

Cohen and Tate was a good watch. Roy pretty much walks it but is cold enough to give him a sinister edge. Roy is his usual solid stoic self compared to Adam Baldwin’s, no stranger to playing crazy and unhinged. He plays his part over the top, nutty as a fruitcake and brings his best maniacal lunatic to almost comically extreme levels. Which brings us to young Travis who was excellent as he tries one thing after another to mess with these two killer jerks. The Old MacDonald, sleepy time bit was fun and notable. Considering it’s just three actors in a car for most of the movie it’s great that the script and interactions keep your attention glued to the screen.

Tate –Hey what’s the last thing that goes through a bug’s mind when it hits a windshield?“…. “IT’S ASS!

I’m a big fan of both the two main leads. Roy Scheider, of course, is best known for Jaws (1975) and Jaws 2 (1978). Also brilliant in The French Connection (1971) and Klute (1971) and one of my first movie reviews The Seven-Ups (1973). I haven’t seen many of his 80s or 90s films so please give me a nudge if there’s any of note? Plus I adored watching him play Captain Nathan Bridger the science fiction series SeaQuest 2032 (1993/95). Ok it was cheesy and had a talking dolphin but I enjoyed myself.

Now on to Adam Baldwin (not directly related to the Baldwin Brothers I read but connected through some ancient Baldwin ancestry apparently). Animal Mother from Full Metal Jacket (1987) was my first introduction to him. Then probably saw him next in Predator 2 (1990) But it would be TV series that I’d come to love him in most, there was The X-Files but then Jayne Cobb in Firefly (2002/03) and the follow up film Serenity (2005) were big favorites. And, quite possibly, I may of been the last man on Earth, hehe, to have stayed right til the end of The Last Ship (2014-18) where he played XO Mike Slattery. It was good switch the old brain down nonsense but I thoroughly enjoyed it.

Cohen and Tate was written and directed by Eric Red who’d written the screenplay for the Rutger Hauer thriller classic The Hitcher (1986) and also penned the vampire horror Near Dark (1987) with Kathryn Bigelow.

Wolfman’s rating – 7/10 IMDB Rating6.3/10

YEAH I did it!“. Feel free to let me know if you’ve seen this one, got recommendations or factoids or just want to have a go at me for disappearing for so long. 🙂

Big love and keep watching those screens…. Mikey Wolfman

My Beautiful Laundrette (1985) Thatchers Britain With Gay Love and Soap Suds

The 80s was a weird and wonderful time. My era. Generation X. Born in the 70s and grew up in the 80s. Video rental, smoking cigarettes behind the school bike shed, underage drinking, sniffing glue!…… and those dreaded “Thatcher Years“! Good old Prime Minister Margaret Thatcher dividing the nation. Tory rule went on forever. It always felt bleak times. Constantly surrounded by the threat of nuclear destruction, the narrative of pop culture at the time. Music videos and TV shows were awash with images of the triad of superpowers. America, The UK and Russia, all with itchy trigger fingers ready to push the button… Sniff some more glue! Vast unemployment swept across the land. Three million and counting were numbers said to be out of work and claiming benefits on the dole. The miners strikes, Greenham Common CND protests and the AIDS epidemic filled the news cycle… Pass the Evo-Stik!

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Night of the Juggler (1980) Thanos’s Dad Rips Through NYC To Find His Kidnapped Girl

Lieutenant Tonelli (Richard S. Castellano) raced up the steps as fast as he could for a round man like himself. Out of breath he took charge of the crime scene. What now? You could see it washed over his face, he’d seen it all, it was a constant in his life. Crime of New York City coming at him twenty four seven. “What’s it this time?” he shouts. The duty cop replies, “It’s another bomb threat from those Puerto Rican National Liberation Front lot.” “You gotta be kidding! Not them again!” He takes a deep breathe, exhales, and shakes his head whilst rubbing his temples. “I gotta feeling it’s gonna be another goddamn New York day!” He wasn’t wrong. Lt Tonelli would soon be caught up with the carnage about to hit his New York streets.

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Dark British TV Thrillers Opening Themes That Were Freaky As F…

It’s no wonder Generation X is so messed up. TV broadcasts for our growing years consisted of experimental science fiction thrillers and pitch black dramas. Some directly aimed at the teenager, others not. However there was nothing else on the three channels of choice so we sat there in our youth having our minds freaked out. And of course we loved it. It wasn’t just the dark content to the shows or the music that got under your skin. They also specialised with inventive twisted intro sequences. Here’s a few picks.

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