Stanley Baker plays Paul Clifton, a man with a plan. An ultra-careful plan he painstakingly put together, every angle researched to perfection, no stone unturned. This plan is rock solid, no way the rozzers going to get wind of this plan. Hey! by the time the old bill get wind of this job we are going to be high and dry and fancy free. Ain’t nothing that could go wrong!
Tagline – Who says crime doesn’t pay? 3 Million pounds says it does!
Continue reading “Robbery (1967) The Great Train Robbery”
With a scandalous certificate of “rejected” and that sultry seductive black and white cover image of a sexy lady in those tight trousers with a bold red writing stamped across her saying Private Property!. You know this is going to be a controversial sixties saucy shocker. Continue reading “Private Property (1960) Certificate Rejected For Saucy Manx”
With an opening credit scene of you sat in the back of a police car driving down the bright lights big city streets looking like the beginning of Police Squad/The Naked Gun. Well apart from you don’t drive down a bowling alley or move your way through the birthing canal into the hands of a midwife! Continue reading “Hell Is A City (1960) Green Fingered In Manchester”
You know the scenario, we’ve all been there. You find yourself a nice tranquil, peaceful spot to relax and reflect on good times when out of the blue your beautiful bliss happy place is interrupted by the old classic, a hobo with a dog on a piece of string. Half drunk, few teeth missing, mix matching clothes and usually angry or slightly insane, mostly both together. Continue reading “The Illustrated Man (1969) – Back To The Future”
Sexy friendly disc jockey Norah Dain (Juliet Prowse) spins the dance tunes for the punters at the nightclub she works. Dropping jiving, hip swinging records for the happy drunks dancing and twisting the night hours away. She’s a nice popular girl who gets attention from a few admirers and looked after by the Manhattan nightclub boss Marian Freeman (Elaine Stritch). Continue reading “Who Killed Teddy Bear (1965) Jiving Disc Jockey Sleaze Shocker”
After being so impressed with director and star Cornel Wilde in magnificent form with his chase movie The Naked Prey I had been excitingly awaiting his 1967 follow up Beach Red. This time he stars as a Captain MacDonald, a leader of a US marine unit sent in to fight the might of the Japanese who have a stronghold on a small island in the Pacific during World War 2. Continue reading “Beach Red (1967) It’s Not Just A War Movie!”
Can you judge a film by it’s cover? Yeah course you can in this case! Flicking through a few movie titles on a search for something different I stumbled across the intriguing title of Cul-De-Sac. What grabbed me in was the minimalist artwork from the cover of The Criterion Collection release and then the hook, line and sinker, Donald Pleasence. Oh I do love a good Donald performance and this film highlights his quirky style to the fullest. Continue reading “Cul-De-Sac (1966) Eggs, Mead and Pleasence in a Dress”
When it comes to movie titles, The Exterminating Angel is pretty spectacular. Being that I only read a small synopsis for the plot I had imagined it would be in the vein of Agatha Christie’s “And Then There None” and that the exterminating angel was a description of some femme fatale who was unleashing her wrath on the unexpecting party guests. Haha how wrong could I have been! Continue reading “The Exterminating Angel (1962) – Sacrificial Lamb Satire”
Oh what a top buzz indeed. I just seen a film that sits perfectly to the feeling I had when I first watched John Frankenheimer’s 1966 thriller with Rock Hudson, the quite brilliant Seconds. That same feeling of watching something really special and highly original for the time. Damn man, Shock Corridor hit all the right notes for me.
“Those whom the gods wish to destroy they first make mad”
Continue reading “Shock Corridor (1963) – Loony Bin Detective”
Within five minutes of Mickey One, this experimental film levellies a barrage of outstanding cool black and white images at you. Everyone you could instantly freeze frame, print and stick straight up on your wall. Continue reading “Mickey One (1965) – Free Jazz New Wave”