The Killer That Stalked New York (1950) I’ll Take Some Noir Virus Over The Real Deal!

Haha yes I’m still alive! What with all the crazy COVID-19 Coronavirus bubbling out of every orifice around the world it only seems apt to do a review about the Noir virus. I mean a virus within a Noir. Yes Smallpox gets the Film-Noir treatment and just check out that fantastically dramatic title, The Killer That Stalked New York!!! Continue reading

The Entertainer (1960) That Saucy Seaside Comic Sir Laurence Olivier

The Entertainer (1960) Archie Rice (Laurence Olivier)tony richardson movie poster

Come along and sing-along with me. Here we go. “Oh, I do like to be beside the seaside. Oh, I do like to be beside the sea. Oh, I do like to stroll along the prom, prom, prom where the brass bands play tiddley-om-pom-pom.

The old British seaside holiday traditions. Bucket and spades, chips in cones, fairground rides, annoying seagulls and Punch and Judy puppet shows. Beauty competitions, cheeky postcards, sticks of bright coloured rock and of course a saucy joke telling comic. Meet Archie Rice (Laurence Olivier) our music-hall stage performer. The gap toothed smiling painted face man with a whole arsenal of well seasoned innuendos ready to fire off from his repertoire. Continue reading

The Whisperers (1967) Bleak Tap Dripping In Kitchen Sink Drama

The Whisperers (1967) Bryan Forbes Edith Evans poster

My task of trying to go into a movie with as little knowledge as humanly possible can bring up some real surprises. I’d seen the above poster and was convinced that was Richard Attenborough poking his head around the door. It does look like him? Doesn’t it? I knew it was directed by Bryan Forbes. I’d loved Seance On A Wet Afternoon and The Angry Silence. Both Dickie films with Forbes connections. Hey! he never turned up. Now I know, no disrespect, that it’s Edith Evans tentatively peering through the chain latched door.

Taglines – The Whisperers, who are they?

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The Man in the White Suit (1951) What Obi-Wan Kenobi Got Up To In His Early Years

The Man in the White Suit (1951) Alec Guinness movie poster dvd cover restored artwork

Way before Obi-Wan Kenobi was having a right laugh bothering Jawas and scaring the bejeezus out of Tusken Raiders on Tatooine he’d grown up in an industrial northern town in England, Earth. Going under the name of Sidney Stratton he had been a keen amateur inventor. He was clumsy and socially awkward in his younger years but this didn’t phase his creative mind constantly coming up with scientific ideas. For Sidney’s inventive imagination and intellect had come up with the idea of creating a fabric so unbelievable that it could change the whole world. Continue reading

Fat City (1972) Real Life Can Pack Quite A Punch!

Fat City (1972) Billy Tully (Stacy Keach) Oma (Susan Tyrrell) drunk pub

Down and nearly out ex-semi pro boxer Billy Tully (Stacy Keach) looks into another empty bottle of spirits and drags himself to his feet, hey he might be down but he’s not out for the count yet. Determined to get back into shape and start a fresh, he packs his dirty old kit and heads off to the boxing gym. Wheezing, straining and sweating off the booze from countless nights, he steps and skips around the hall, shadow punching, ducking and a diving. He’s still got the moves under all that rust and achy bones. Continue reading

Crossfire (1947) Robert Ryan & Hate Is Like A Loaded Gun!

Crossfire (1947) poster noir classic drama robert ryan mitchum young

Another great thing about doing this here blog is discovering actors I had previously missed. Robert Ryan is one such actor. I know his face well from a couple of classic films, two big favourites of mine too. Playing Deke Thornton in Sam Peckinpah’s The Wild Bunch and Col Everett Dasher Breed in Robert Aldrich’s The Dirty Dozen but you know what I’m ashamed to say I never knew his name or filmography. Continue reading

Edge Of The City (1957) Everyone Needs A Friend Like Sidney Poitier

Edge Of The City (1957) sidney poitier poster saul bass movie film

Went for this film mainly because of one of its stars, the delightful Sidney Poitier, a guy who oozes charisma and charm. He always lights up the screen with his presence on every single performance he gives. That broad beautiful smile warms you straight away to each of his characters he plays, displaying an unique warmth that his acting talent brings to his movies. Edge Of The City was a film of his I had never heard of let alone seen before and seeing who he was working with, I have to say I was extremely excited about this drama centered around a New York City dockland.

Edge Of The City (1957) sidney poitier opening credit titles saul bass movie film Continue reading

In Cold Blood (1967) Richard Brooks & Truman Capote’s Devastating Biographic Masterpiece

In Cold Blood (1967) poster art work peter blake scott wilson

In Cold Blood” is ridiculously dark, bleak and emitting a constant resonance of impending doom. Danger is etched upon the faces of the perpetrators, a hollow darkness crosses each of these two young men’s shadows, revealing an evil that can be spontaneously released at any given moment.  That fear keeps you glued to your seat, frighten to look and scared to look away. The realisation that this whole film is based on real events just makes the crime all that more heartbreaking when it comes.

In Cold Blood (1967) Robert Blake plays Perry Smith surreal dream las vegas Continue reading

Midnight Lace (1960) Stay Out Of The Pea Soup Calamity Jane!

Midnight Lace (1960) poster old sheet movie art work doris day

No denying this has a very inspired by Alfred Hitchcock thriller feel to it, especially even having the same actor, John Williams, playing the cop like he did in Dial M For Murder. Even the poster artwork has that Hitchcock look but it’s no bad thing at all as you will find this is an excellent movie filled with mystery. Continue reading

Violent Saturday (1955) What! Film Noir in Technicolour? Plus Victor Mature Movies?

Violent Saturday (1955) 20th century fox film poster cinemascope de luze colour getty image

I know there must be hundreds of noir thrillers in colour but still it felt weird not having the smokey dark backlit, black and white photography that goes so well with the genre. The thing that hits you right from the start of Violent Saturday is the simply gorgeous colour print. I read that at the time of filming it was one of the cheapest movies made using the CinemaScope wide-angle lens and the De Luxe colour print, it really shows. The photography brings out the beautiful deep bright hues in abundance.  I wasn’t expecting it, as all I had seen before hand was black and white stills from the picture. Continue reading