There I was sitting giggling to myself, waiting for this hilarious, frightened, petrified woodland to appear only to find out it was just a few rocks in the godforsaken desert. Of course I’m only having a laugh. I found The Petrified Forest a very intriguing title. I knew Humphrey Bogart had a standout role within the film but I wasn’t here this time for him. This viewing was for a certain actress called Bette Davis, which, sit down before I say this, I’d not seen any of her films! Please forgive me, I take myself off on a long walk as penance!
Continue reading “The Petrified Forest (1936) A Waitress, a Hobo and a Bank Robber Walk Into a Bar”
Humphrey Bogart is back again hitting my screen in the wolf lair as the quest to work through his films carries on. This time HB was in supporting role mode in this 1940’s movie called They Drive By Night . Top billing duties went to George Raft who, lets be honest, sounds more like Humphrey than Bogie himself in this. These two native New Yorkers make very believable brothers. Let’s meet the Fabrini Brothers. Continue reading “They Drive by Night (1940) The Magnificent Fabrini Brothers”
Before doing this blog I was blissfully unaware of Humphrey Bogart being bad! I’d only seen a handful of his movies and what with his legendary status following you around since whenever I can remember. Call me naive, I’d always thought he played good guys. Well rogues or strong willed tough guys with a heart of gold or a cast iron moral code. Well I couldn’t have been more wrong! He was somewhat naughty in The Desperate Hours but I have to say I didn’t expect him to beat his despicable me part in The Treasure of the Sierra Madre. So you see I wasn’t ready for Dixon Steele to turn up in In a Lonely Place and not reading anything about it when going in I’d expected him to be another Samuel Spade style PI. Continue reading “In a Lonely Place (1950) Angry Bogie’s Fury And An Alternative Ending”
When the best thing in a film is your own blooming terrier dog showing off and stealing all the top scenes right from under your nose. What was Humphrey Bogart to do with this camera hogging pooch Zero, well he had to up his game and show his four legged friend who the boss was! And work his ass off he did. Continue reading “High Sierra (1941) Bogie, Ida & Special Guest Star, Zero The Dog”
Looking back through my recent film posts it reveals that the 50’s has been making a mark on this here cine-wolf. Each movie find that I watch has brought its own new unique style. Like with many films from the 40’s and 50’s they just get the pacing spot on. A dash of surprising action, a shocking bit of violence and the right amount of dialogue. Expertly giving a good balance to realistic situations and character development. Whilst still always pushing and probing the boundaries, daring to see what they can get past the censors. And with doing so, they manage to draw you right into their created worlds. Yesterdays viewing schedule presented me with Humphrey Bogart’s penultimate film, The Desperate Hours. Continue reading “The Desperate Hours (1955) Home Invasion With Humphrey Bogart”
Not until it had finished and went to tick The Harder They Fall off my Humphrey Bogart films I must see list, that it dawned on me this was his final film before he passed away at the young age of 57. I have to say I didn’t realise he was ill whilst watching, he had all those classic Bogart characteristics and mannerisms we all so love. That world weary New York tough guy that hides a heart of gold, a style that you can imagine is naturally his real persona. He’s such a joy to watch and it’s great to know I still have a lot more Bogies to work my way through. Continue reading “The Harder They Fall (1956) Humphrey Bogart’s Last Film Is A Smasher”
Was recommended this noir thriller starring husband and wife double act Humphrey Bogart and Lauren Bacall. I for sure wasn’t expecting to be wowed by its unique take right from the get go. For this film’s first few acts are played out entirely in first person perspective. Meaning that our “hero” Vincent Parry (Humphrey Bogart) face is never seen for a big portion of the film. Filmed in a point of view (POV) style or his face being covered up. A very brave decision for the studio to have made I can imagine, not having your big star, leading man’s face on the screen. Continue reading “Dark Passage (1947) Bogart In First Person Face-Off Thriller”